![]() These are sites of indeterminacy, where personal transitions and economic transactions take place. The central visual elements in this film are thresholds or openings, such as windows, doorways, and stairways, which together comprise a liminal space whose crossings serve as the literal inscriptions of Kazan’s dialectical project. ![]() ![]() This essay analyzes Elia Kazan’s A Tree Grows in Brooklyn (1945), an adaptation of Betty Smith’s bestselling novel of the same title (published two years earlier). ![]()
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